Les Contes D'Hoffmann (Pathé Live) online schauen und streamen in Deutsch mit Untertiteln 1280p6/17/2018 Royal Opera House 2016/17: ROH Live Kino bringt Weltklasse-Opern und -Ballette in die Kinos, live und in High-Definition direkt von der Bühne des Royal Opera Houses in Covent Garden in London, in mehr als 1.500 Kinos rund um die Welt, einschließlich den USA, Frankreich, Spanien, Italien, Deutschland, Österreich, Japan und Australien. Die ROH Live Kinosaison 2016/17 umfasst 12 Liveübertragungen – sechs Opern und sechs Ballette – einschließlich des 2016 mit dem Olivier Award ausgezeichneten “Woolf Works”, mit der das zehnjährige Jubiläum von Wayne McGregor als Hauschoreograf des Royal Ballet gewürdigt wird. Dieses von der Kritik gefeierte Ballett wurde von den schriftstellerischen Werken Virginia Woolfs inspiriert. 78rpm/Pathe 8782/G. ANDOLFI/OFFENBACH/LA BELLE HELENE. EUR 15,00; oder Preisvorschlag. Deep Purple 2CD Live In Offenbach 1971 (Japan Press.) Gebraucht. EUR 30,00; Sofort-Kaufen. Offenbach - Les Contes D´Hoffmann / Moralt/München 1956 2 CDs. EUR 10,00; Sofort-Kaufen. Film: Metropolitan Opera New York: Norma (2017) - movies.ch: Filme, Kinos, Kinoprogramm, 3D, Charts, DVD, Video, Startdaten, Releases, Trailer und Bilder. Regionalisiert für die ganze Schweiz, deutsch. Altes Pathè-Journal 2. Altgermanische Bauernkultur. Construktion du chemin de fer. Conte de milles et deuxieme nuit. Reichsfilmarchiv: Konkordanz Titel-Signatur. Litwinoff vor dem Völkerbund. 12761 W 3180. Live Love And Learn. Live, Love And Learn. Fritz Soot (1878-1965) was a German Heldentenor whose lengthy career was largely confined to Central Europe. Born in Neunkirchen, Soot made his stage debut at age 11 as Ludwig in a production of Liszt’s Die Legende von der Heiligen Elisabeth in Karlsruhe under Felix Mottl. Encouraged to pursue a theatrical career, he began working as an actor at the Court Theatre in Karlsruhe in 1901. During his years with the company, Soot studied voice, hoping to cultivate a singing career. His chance came in 1908 at the relatively late age of 30, when he made his debut with the Dresden Hofoper as Tonio in Donizetti’s Daughter of the Regiment. ![]() Soot’s star rose rather quickly and he appeared as the servant in the world premiere of Strauss’ Elektra in Dresden in 1909. Another Strauss premiereDer Rosenkavalieroccurred two years later, with Soot creating the role of the Italian Singer. Soot’s repertoire was rapidly expanding and it was around this time that the tenor was bestowed with the title of Kammersänger. Soot’s career was in full swing when war broke out in Europe. The tenor enlisted in the German army and served as an intelligence officer until the war’s end in 1918. Despite the interruption to his career, Soot picked up where he had left off, joining the company of the Stuttgart Landestheater. Now 40 years old, the tenor began to adopt heavier roles, including such Wagnerian parts as Walther in Die Meistersinger, Siegmund in Die Walküre, Loge in Das Rheingold, both Siegfrieds (Götterdämmerung and Siegfried), Erik in Der Fliegende Holländer, and the title roles in Lohengrin, Parsifal, Tannhäuser and Tristan und Isolde. In 1922, Soot left Stuttgart to accept a contract with the Berlin Staatsoper. The busy artist also made guest appearances with Vienna Staatsoper, London’s Covent Garden and the Waldoper in Sopot, Poland (a.k.a “The Bayreuth of the North”). Soot continued to expand his repertoire and counted such non-Wagner roles as the Duke in Rigoletto, Canio in Pagliacci, Lensky in Yevgeny Onegin, Pinkerton in Madama Butterfly, Don José in Carmen, Pedro in Tiefland, Max in Der Freischütz, Faust in Mefistofele, (as well as Mephistofeles in Busoni’s Doktor Faust!), Laca in Jenůfa, Aegisth in Elektra, Herod in Salome, and the title roles in Otello and Les Contes d’Hoffmann. Soot continued his association with the Berlin Staatsoper, becoming artistic director in 1935. Apart from a brief wartime interruption, his singing career remained constant, although he gradually drifted into character roles during the mid-1940s. Soot bid farewell to the operatic stage after a final Herod in Salome in Berlin in 1952. He was 73 at the time and in remarkable vocal shape. The elderly tenor continued to give recitals and made a series of lieder recordings to celebrate his 80th birthday. Eventually, his singing days came to a close and he retired to Berlin. ![]()
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